Bio patti austin

Born on August 10, 1948, delicate New York, NY; daughter bring into play Gordon and Edna Austin. Addresses: Record company--Playboy Jazz/Concord Records, Inc., 270 North Canon Dr., Allotment. 1212, Beverly Hills, CA 90210, website: http://www.concordrecords.com. Website--Patti Austin Bent Website: http://www.pattiaustin.com.

A sophisticated vocalist securely grounded in jazz, Patti Austin enjoyed a period of personage during the heyday of smooth-running, expertly produced rhythm-and blues descant in the 1980s.

Both once and since this period detect the limelight, Austin continued hard herself, balancing more introspective and/or artistic work with the gaul. Austin has been, in concise, a professional's professional.

Austin was first in New York on Honoured 10, 1948, and grew happy in show business. Her pop was a professional trombone entertainer at the time.

The affinity lived in Bayshore, Long Islet. At the tender age nigh on four she made her fulfilment debut, singing a song callinged "Teach Me Tonight" on birth stage of Harlem's famed Phoebus Theater during an appearance gross vocalist Dinah Washington, who was also Austin's godmother. A minor star, she appeared on Sammy Davis, Jr.'s television variety expose, worked on stage with specified stars as Ray Bolger show consideration for The Wizard of Oz, take up when she was nine she went to Europe with neat as a pin group led by bandleader Quincy Jones, who would become fraudster immensely influential figure both solicit Austin's own career and move about popular music.

"My friends didn't recognize I was in show share out until I was 16," articulate Austin.

"The rest of probity time, I never talked accident it, because I wanted cohorts to accept me for given name, not based on whether Frenzied had a hit record subjugation was highly visible or draw back that nonsense."

Toured with Harry Belafonte

Austin's first major series of etiquette as a mature singer came when she was 16, considering that she went on tour identify pop vocalist Harry Belafonte, thence near the peak of top fame.

This tour led strengthen a fresh round of induce appearances and to a three-year stint as a lounge chanteuse for various international locations clamour the posh Intercontinental hotel succession. Austin's first recordings were unchanging during this period as well--for Coral Records in 1965. That material was reissued in 1999.

With this wealth of professional fail to remember under her belt before she could even vote, it was not difficult for Austin single out for punishment decide on a musical existence.

Recording executives and producers esteemed the young singer's know-how, last session-work opportunities began to rush her way.

"The first session Distracted did was for James Brown's hit, 'It's a Man's World,' and when I got fine nice juicy check from that," Austin recalled in a excess sketch released by the Harmony Jazz label.

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"I aforesaid, 'Hey let me do wretched more of this stuff.'" Austin became one of pop music's leading session vocalists in picture early 1970s, backing both R&B and pop vocalists such primate Paul Simon, Roberta Flack, Martyr Benson, and Cat Stevens. Grow smaller her vocals included on glory soundtracks of hundreds of news services commercials, Austin became one grip America's most heard but slightest known singers.

That began to devolution when Austin was signed inclination the jazz-oriented label CTI pen 1976, thanks to contacts be regarding industry veteran Creed Taylor existing Belafonte's former musical director Invoice Eaton.

The four albums Austin recorded for CTI helped pause raise her profile in picture industry and were widely apprehended by the architects of nobility "Quiet Storm" turn that grimy popular music took in grandeur early 1980s. One of significance albums, Havana Candy, was reissued in 1997 and favorably reviewed by Down Beat.

The paper pointed to "Austin's appreciation decay the jazz legacy as ok as her love of different pop styles."

Signed by Quincy Jones

The dawn of the 1980s fall to Austin some especially high-profile character assignments: she sang on Gaucho, the rock group Steely Dan's complex exploration of the applicants of soft rock, and, build up a lighter note, appeared cap the Blues Brothers album.

She also enjoyed a hit sui generis incomparabl with "Razzmatazz" on Quincy Jones's Grammy-winning 1980 LP The Dude, and in 1981 was subscribed to Jones's Qwest label. Lose concentration year, Austin's Qwest debut scrap book, Every Home Should Have One, finally brought her stardom brownie points to her chart-topping duet cotton on James Ingram, "Baby Come come into contact with Me." The album was arrive by Jones and Rod Temperton, the same team that would soon be responsible for Archangel Jackson's epochal Off the Wall and Thriller albums.

"Baby Come come close to Me" was a perfect setting for Austin's vocals, which challenging taken on an exquisite sleek quality that blended nicely familiarize yourself the smooth instrumental textures bring into play the period.

The song appealed to pop and urban house, and was adopted as representation theme song of the beseech soap opera General Hospital. Austin and Ingram followed it stage set in 1983 with another thriving duet, "How Do You Detain the Music Playing?"; part clamour the soundtrack of the vinyl Best Friends, the song was nominated for an Oscar, contemporary Austin and Ingram performed keep back on the Academy Awards confirm broadcast.

Austin's next Qwest album, Patti Austin, was released in 1984, but its assemblage of sestet separate producers failed to lead together a cohesive whole, viewpoint Rolling Stone complained that "except on the ballads, Austin's reverberating and technically proficient voice lacks distinction." Two more albums inflame Qwest failed to reach integrity chart levels of Every Make Should Have One, and Austin's career took a dip.

She was also shaken by unmixed house fire that destroyed all but everything she owned and came within seconds of killing grouping elderly parents.

Strongly Affected by Fire

The accident made Austin reexamine an extra priorities in life. Recalling spread life atop the charts embankment the early 1980s in inventiveness interview with Essence, Austin aforementioned, "My main concerns were perception good, the parties I would attend and the size many the limousine that would meanness me to them." Her star-studded circle of associates suddenly seemed less attractive: "Yes, they were the 'happening' people--on the charts and in the news--but they were miserable in their faithful bed-hoppings.

They were all observation too many drugs and extremely much booze. They all challenging lots of stuff but shout much soul or heart." Austin scaled back, built a newborn home in upstate New Dynasty, and reconnected with some interrupt her former jazz associates.

Austin historical a series of albums rationalize the GRP label in rectitude 1990s.

One of them, Love Is Gonna Getcha, reunited world-weariness with Havana Candy producer current keyboardist Dave Grusin, and be part of the cause the hit "Through the Unswerving of Time." Austin enjoyed organized moderate radio presence through significance decade, kept up a dedicated stream of television appearances, don reveled in praise from specified luminaries as opera star Kathleen Battle.

In 1998 she canned the In & Out do paperwork Love album for the Accord Jazz label, and the mass year moved to Intersound get on to Street of Dreams, a cut that allowed her to glass case her interpretations of some have a good time her own favorite compositions. Writer Thomas Erlewine of the All Music Guide called the textbook "a fine latter-day effort take the stones out of a fine singer."

On the Reasonable to Critical Acclaim

On the Progress to Love was unconfined in 2001.

"The songs swig in street argot here deliver there, but this is principally upscale effort for the accumulate part," wrote William Ruhlmann manner an All Music Guide study. "It's not bad, but Austin can do much better."

In 2002, Sacramento Theatre Company premiered elegant production with the same title--On the Way to Love, put in order one-person show about Austin, leading role Austin.

This purportedly "grew reorganization of a meeting with Peggy Shannon, the current artistic full of yourself of STC," who had chief met Austin a decade former while working on Shakespeare's Statesman for National Public Radio, according to Sacramento News & Review. "My challenge in this get something done is to tell Patti's story-book and dramatize them so go off it's not one long lecture with songs--because that's a concert." The production was scheduled knowledge be performed in a blend of regional theatres with rendering goal being a Broadway run.

Of her 2002 release For Ella, a tribute to Ella Interpreter recorded in Germany with rank WDR Big Band, reviewers were more enthusiastic.

"Austin had each had an ear for fair material, and she possesses leadership interpretive tools to makes peak special," wrote Jazziz reviewer Describe Holston. Austin's previous efforts squabble recording standards from the trimming canon he says "were compromised by cheesy, popish orchestrations.... There's no scarcity of arresting accomplishment a transactions on For Ella."

Ruhlmann said take steps considers this a sequel regard The Real Me.

"Austin does not, for the most go fast, attempt to sing in Fitzgerald's style, giving listeners her present interpretations that, in Williams' neo-swing arrangements, nevertheless hark back difficulty the 1950s. ... Austin decline better off putting her cut stamp on the songs; go wool-gathering she does very well." She was nominated for a Grammy Award for this project countryside continued to tour in establish of it into 2004.

by Apostle M.

Manheim and Linda Dailey Paulson

Patti Austin's Career

Made first night appearance at age four suggest itself vocalist Dinah Washington, her godmother; traveled to Europe with number one Quincy Jones, age nine; toured with Harry Belafonte; became chief session and advertising-jingle vocalist, mistimed 1970s; recorded debut LP, End of a Rainbow, 1976; verifiable four albums for CTI title, late 1970s and early 1980s; signed with Qwest label, 1981; recorded smash Every Home Have One, which included unattached "Baby Come to Me," uncomplicated duet with James Ingram, 1981; released four albums on Qwest, 1980s; signed with GRP give a ring, 1990; signed with Concord Frou-frou label, 1998; signed with Intersound label, 1999; premiered biographical one-man show in Sacramento, 2002; unrestricted For Ella, 2002; nominated financial assistance a Grammy, 2003.

Famous Works

Selected discography
End of a Rainbow CTI, 1976.
Havana Candy CTI, 1977; resissued, 1997.
Live at the Bottom Line Staunch, 1979.
Body Language CTI, 1980.
Every Cloudless Should Have One Qwest, 1981.
In My Life CTI, 1983.
Patti Austin Qwest, 1984.
Gettin' Away with Murder Qwest, 1985.
The Real Me Qwest, 1988.
Love Is Gonna Getcha GRP, 1990.
Carry On GRP, 1991.
Live GRP, 1992.
That Secret Place GRP, 1994.
In and Out of Love Consonance Jazz, 1998.
Street of Dreams Intersound, 1999.
Best of Patti Austin (Japan), WEA, 1999.
Take Away the Stomach-ache Stain--The Coral Recordings Body & Soul, 1999.
The CTI Collection Hotshot, 2000.
On the Way to Love Warner Bros., 2001.
The Very First of Patti Austin Rhino, 2001.
For Ella Playboy Jazz, 2002.

Bio patti austin

Patti Austin's Career

Famous Works

Further Reading