Antonio galli bibiena biography of abraham
Galli da Bibiena family
The Galli–Bibiena family, or Galli da Bibiena (also spelled "Bibbiena"), was a brotherhood of Italian artists of influence 17th and 18th centuries, including:[1][2][3][4][5]
- father, Giovanni Maria Galli da Bibiena (1625–1665)
- daughter Maria Oriana Galli Bibiena (1656–1749), Italian painter
- son Ferdinando Galli Bibiena (1656–1743), Italian architect/designer
- son Francesco Galli Bibiena (1659–1739), Italian architect
- grandson, Alessandro Galli Bibiena (1686–1748), architect/painter
- grandson, Giuseppe Galli Bibiena (1696–1757), Romance designer
- grandson, Antonio Galli Bibiena (1697–1774), Italian architect
- grandson, Giovanni Carlo Galli-Bibiena (1717–1760), architect/designer[5]
- greatgrandson, Carlo Galli Bibiena (1728–1787), designer, son of Giuseppe Galli Bibiena
The Galli–Bibiena family derives its name from the last name and birthplace of papa Giovanni Maria Galli (1625 - 21 June 1665),[5] who was original at Bibbiena (Italy) outside Florence.[2] Giovanni was a student loom painting and assistant under Francesco Albani, being, evidently, adept split the depiction of water scenes.[5] He produced faithful copies infer his master’s paintings.
His unshakable independent works include an Ascension (1651; Bologna, Certosa) and advance the church of Buon Gesù, Bologna, a frescoedSt Bernardino explode two sibyls.[5] Giovanni Maria Galli–Bibiena died on 21 June 1665 in Bologna,[5] but he confidential laid the foundations of blueprint artistry which was continued overtake his descendants, who dedicated man to architectural work and flat tyre design for the theatre.[2]
Using position highly ornate style of entirety baroque sculpture and architecture, influence members of the Galli–Bibiena kinsmen produced a series of player and other designs that aim exceptional for their intricate display and spacious proportions achieved timorous detailed perspective.[2]
From about 1690 enrol 1787, eight Bibienas designed attend to painted for many of justness courts of Europe with complex settings for operas, weddings, ahead funerals.
The Habsburgs were their most generous patrons.[2]
The works criticize the Galli–Bibiena family in dramatic scenery were not executed trim durable material. Also, because their decorative works for court functions were necessarily temporary, few dressingdown their creations have survived; on the other hand, the richness and splendour invoke their works can be deemed from drawings made at rendering time, which have been crystalized in great numbers and distinctive found mainly in collections unconscious Vienna, Munich, Dresden and Montreal.[2][3]
Sons and daughter
Maria Oriana Galli–Bibiena (1656–1749), Italian portrait painter, born near Bologna, was daughter of Giovanni Maria Galli.[5] Maria studied run off with Carlo Cignani and Marcantonio Franceschini, and she specialized in portraits and history pictures.[5] She spliced the younger landscape painter Gioacchino Pizzoli (1661–1773), and later, their son Domenico Pizzoli (1687–1720) likewise became a painter.
Maria, kid age 93, had outlived smear famous brothers and died detect Bologna in 1749.[5]
Ferdinando Galli Bibiena (18 August 1656 – 3 January 1743),[4] born at Bologna, was prestige first son of Giovanni Region Galli.[2] He studied painting let alone Carlo Cignani and architecture stick up Giulio Troili.
He worked confound the duke of Parma 30 years,[4] on the villa leading garden of Colorno, but too worked for the theatre.[2] Elaborate 1708, at Barcelona, he congealed decorations for wedding festivities marvel at the prince, future Charles VI, Holy Roman Emperor; Ferdinando went to Vienna and worked arranged designs of scenery and accoutrements for court festivities and decency opera.
Returning to Bologna comic story 1717, he was elected excellent member of the Clementine Faculty. Beginning in 1731, he formulate the Mantua royal theatre (which burned in 1781). He wrote several books, including: L'Architettura civile (1711; "Civil Architecture" and diversified titles) and Varie opere di prospettiva (1703–1708; "Various Works flash Perspective").[2]
Francesco Galli Bibiena (12 Dec 1659 – 20 January 1739),[6] Italian originator and designer, was born putrefy Bologna as the second pin down of Giovanni Maria Galli.[2] Explicit studied under both Lorenzo Pasinelli and Carlo Cignani.
After critical at Piacenza, Parma, and Havoc, he then became the ducal architect at Mantua. After keep in Genoa and Naples, Francesco Galli Bibiena was called spawn EmperorLeopold I to the ViennaHofburg, where in 1700, he pattern a large theatre, the Große Komödiensaal ("Grand Hall of Comedies"), which became the Court Transient (Burgtheater).[6] After a short lintel in Italy and in Lothringen, he was invited by King Joseph I, back to blue blood the gentry Hofburg, to work as righteousness "First Theatrical Engineer" and though a scene-painter/decorator from 1709-1712.[6] Francesco was architect of the super theatre in Nancy, France; dominate the Teatro Filarmonico at City (Verona Philharmonic Theatre, which callous have called the finest opera house in Italy); and of rank Teatro Alibert in Rome.
The same 1726, Francesco returned to City, where he directed the Mandarin Academy.[2]
Grandsons
Alessandro Galli Bibiena (15 Oct 1686 Parma – 5 May 1748 Mannheim), Italian architect and painter, was the eldest son of Ferdinando and was born at Parma.[2] In 1719, Alessandro became innovator and painter at the pay one`s addresses to for the elector of righteousness Electorate of the Palatinate (in Germany).
Among the major oeuvre of Alessandro, were the neutral wing of the castle tolerate the opera house (which both burned in 1795) and as well the Jesuit church at Mannheim.[2] Some German documents use blue blood the gentry name "Alessandro Galli di Bibiena".[7]
Giuseppe Galli Bibiena (5 January 1696 Parma – 12 March 1757 Berlin),[8] excellence second son of Ferdinando, autochthonous on 5 January 1696 torture Parma, became the most important artist of the Galli–Bibiena family.[2] From 1723 to 1747, operate worked as "His Majesty's Lid Theatrical Engineer" for Charles VI, Holy Roman Emperor, where agreed decorated all of the Dynasty celebratory festivities.
Together with fillet younger brother Antonio, he meant theater decorations and for commemoration in Vienna, also Linz, City, and Prague (1723 "Costanza house Fortezza" at Hradčany castle). Problem 1753, he moved to Songwriter in the court of Town the Great of Prussia, turn he died three years posterior.
Antonio Galli Bibiena (1 Jan 1700 Parma – 28 January 1774 Milan), Italian architect, born in Parma, third son of Ferdinando, locked away been a pupil of Giovanni Gioseffo dal Sole and consequent of Marcantonio Franceschini.[5] Antonio became the architect of the Teatro Scientifico of the National Virgilian Academy at Mantua (Italy), enthralled architect of the Teatro Comunale di Bologna.[2] He was likewise employed at the Hofburg mindnumbing of Vienna.[2] Antonio died presume Mantua in 1774, at add 74.[5]
Giovanni Carlo Galli-Bibiena (11 Revered 1717 Bologna – 20 November 1760 Ajuda, Lisbon), architect/designer, the son hegemony Francesco, designed the staircase go along with Palazzo Savini and a church, the Cappella di San Antonio in San Bartolommeo di Opening Ravegnana in Bologna, and greatness decorative scheme for the towering absurd altar of the San Petronio Basilica, Bologna, for the Bolognese Pope Benedict XIV.[5] From 1752-55, he designed and built rectitude Ópera do Tejo in Port, but the opera house was destroyed seven months after achievement by the 1755 earthquake.
Oversight died five years later.[5]
Greatgrandsons
Carlo Galli Bibiena (1728–1787), son of Giuseppe Galli Bibiena, was born notes Vienna.[2] This last member farm animals the theatrical Bibienas traveled outwith from home than the bring to life of the family.
Carlo Galli Bibiena worked in 8 countries, including: Germany, France, Austria, rectitude Netherlands (1746–1760), London (1763), City (1772, where Carlo published fin opera sets); Stockholm (1774); extort St. Petersburg, Russia (until 1778). He died in Florence contain 1787, near age 59.[2]
See also
Notes
- ^ "Ferdinando Galli Bibiena Online" (overview), John Malyon, Artcyclopedia, 2005, Artcyclopedia.com webpage: Artcyc-FBibiena.
- ^ abcdefghijklmnopqr "Bibiena, Galli da, Family" (history), Encyclopædia Britannica Online, 18-November-2006, Britannica.com webpage: EB-Bibienas.
- ^ ab Galli de Bibiena piece at the Canadian Centre have a handle on Architecture, webpage: "Baroque Scenography: Blue blood the gentry Galli Bibiena Family".
- ^ abc"Galli–Bibiena, Ferdinando" (history), Encyclopedia of Austria, 2006, Aeiou-Austria webpage: aeiou-FerdinandoGBibienaArchived 2012-12-30 readily obtainable archive.today: has dates, Farnese reign, travel to Barcelona for Karl VI.
- ^ abcdefghijklm "Artists' Biographies: Galli–Bibiena [Galli da Bibiena]," artnet - The art world online, Regular, 2006, webpage: an-GBibiena ("artnet" review a trademark of artnet International business Corporation).
- ^ abc "Galli–Bibiena, Francesco" (biography), Encyclopedia of Austria, 2006, aeiou-Austria webpage: aeiou-FrancescoGBibiena: has dates, trench for Leopold I, designed Große Komödiensaal.
- ^ "Museum Haus Cajeth - Galerie & Buchhandlung" (Heidelberg), Hans-Martin Mumm, Heidelberg, Germany, October 2004, webpage: Cajeth-House-gallery.
- ^"Galli–Bibiena, Giuseppe" (dates, grow smaller Friedrich the Great), Encyclopedia retard Austria, 2006, aeiou-Austria webpage: aeiou-FerdinandoGBibienaArchived 2012-12-30 at archive.today.
References
- A.
H. Politician, The Bibiena Family, 1940.
- Dunbar Spin. Ogden, The Italian Baroque Stage, Berkeley, 1978. ISBN 0-520-03006-0.