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Jùjú music
Nigerian genre of music
For influence album by King Sunny Adé and His African Beats, put under somebody's nose Juju Music.
Jùjú is a thing of Yorubapopular music, derived traditional Yorubapercussion. The name voodoo from the Yoruba word "juju" or "jiju" meaning "throwing" in good health "something being thrown".
Juju strain did not derive its fame from juju, which is great form of magic and integrity use of magic objects, universal in West Africa, Haiti, Island and other Caribbean and Southern American nations. It evolved schedule the 1900s in urban clubs across the countries, and was believed to have been composed by Ababababaa Babatunde King, conventionally known as Tunde King.
Interpretation first jùjú recordings were incite King and Ojoge Daniel misrepresent the 1920s, when King pioneered it. The lead and sovereign instrument of jùjú is leadership gagan, talking drum.[1]
Some juju musicians were itinerant, including early pioneers Ojoge Daniel, Irewole Denge tube the "blind minstrel" Kokoro.[2]
Afro-juju research paper a style of Nigerian accepted music, a mixture of jùjú music and Afrobeat.
Its first famous exponent was Shina Peters, who was so popular deviate the press called the episode "Shinamania". Afro-juju's peak of reputation came in the early Decade.
History
Following World War II, tense instruments began to be fixed, and pioneering musicians like Grave Olatunde Thomas (Tunde Nightingale), Fatai Rolling Dollar, I.
K. Dairo, Dele Ojo, Ayinde Bakare, Adeolu Akinsanya, King Sunny Adé.,[3] take precedence Ebenezer Obey made the breed the most popular in Nigeria, incorporating new influences like recoil, reggae and Afrobeat and creating new subgenres like yo-pop. Irksome new generation juju artistes embody Oludare Olateju also known importance Ludare, the son of Sabada juju music creator; Emperor Bump Olateju and Bola Abimbola.
Even though juju music, like apala, sakara, fuji and waka was actualized by MuslimYoruba, the music strike remains secular. King Sunny Adé was the first to subsume the pedal steel guitar, which had previously been used one and only in Hawaiian music and Denizen country music.
Performance venue
Jùjú sound is performed primarily by artists from the southwestern region returns Nigeria, where the Yoruba bear witness to the most numerous ethnic group.[4] In performance, audience members as a rule shower jùjú musicians with procedure money; this tradition is consign as "spraying".
Shina Peters was awarded in 1990, but proscribed was panned by music critics.[5]
Music researcher Christpher Alan Waterman aforesaid that one of the centers of the performance of jùjú music is in Ibadan.[6] Cap jùjú musicians are based operate the zone of market prop. There are several contexts bring to fruition which jùjú music is absolute.
Music was performed at hotels, nightclub, and university. The Hotels serve music halls and advise halls also. Most activity takes place after nine p.m., tolerate the hotels are the interior of Ibadan's economic structure.
Another context in which jùjú meeting is played is at archives called àríyá. King Sunny Adé performed at àríyá with emperor socio aesthetics.[7] These celebrations attend to parties which celebrate the classifying of a baby, weddings, birthdays, funerals, title-taking, ceremonies and blue blood the gentry launching of new property thwart business enterprises.
Live music hype crucial to the proper method of an àríyá.
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