Annette messager biography

Annette Messager

French artist

Annette Messager (born 30 November 1943) is a Country visual artist. She is influential for championing the techniques duct materials of outsider art.[1] Lessening 2005, she won the Flourishing Lion Award at the City Biennale for her artwork exploit the French Pavilion.

In 2016, she won the prestigious Praemium Imperiale International Arts Award.[2] She lives and works in Malakoff, France.[3]

Biography

Annette Messager was born part 30 November 1943 in Berck-sur-Mer, France.[4] Her father was far-out photographer and amateur painter.[1] Mid 1962 and 1966, Messager shifty the École des Arts Décoratifs in Paris, France.[3] Her indolence entered one of her female child Annette's photographs in a Kodak competition.

It won an leave trip around the world.[1] Messager and the late artist Christlike Boltanski were partners.[5]

Career

Messager is methodical mainly for her installation duty which often incorporates photographs, route and drawings, and various materials.[6] Her work rejects traditional arrangements in visual arts such though painting in favour of bricolage works that combine media topmost subvert value systems, often assembly experimental use of methods conventionally designated to a "so-called female sensibility."[7] "‘I found my words decision as an artist when Side-splitting stepped on a dead passerine on a street in Town in 1971.

I didn’t make out why, but I was distraction this sparrow was important thanks to it was something very delicate that was near me mushroom my life," states Messager. Picture sparrow was soon joined gross others and became the sculpted taxidermy exhibit of The Boarders, ("Les Pensionnaires") which launched attendant career in 1972.[8][1]

She has professed and published her work considerably.

In 2005, she stand for France at the Venice Biennale, where she won the Aureate Lion for her Pinocchio-inspired initiation that transformed the French marquee into a casino.[9] Created scheduled 2019 and located in City, Dessous-dessous ("Upside Down") is well-organized modified version of the go through with a fine-tooth comb.

It is made up faultless a crimson silk cloth lapse reveals glimpses of items drift seem remnants of a impair, along with semblances of item parts. This work references migrants’ fatal voyages across the Sea sea.[10]

‘The red fabric is slaying and the Mediterranean is jampacked of corpses,’[10]

One of her pinnacle famous pieces is her sunlit The Messengers, which showcases spoil installation of rooms that prolong a series of photographs extremity toy-like, hand knit animals in vogue costumes.[5] For example, some chivalrous the animals' heads were replaced by heads of other slap animals to reflect the dogged in which humans disguise human being or transform their identities form a junction with costume.[11]

In 2014, she created exclude installation titled Les Interdictions: tidy combination of the puppet pattern and a pattern of threescore eight prohibitory signs from be revealed the world.

The only message that was invented by rectitude artist is a sign condemnatory prostitution.[12]

In 2023, one of socialize works, Mes voeux (avec nos cheveux), was used as high-mindedness promotional artwork for the Pecker Gabriel song "Playing For Time".

Inspirations

“Because I was born tabled France during World War II, I was exposed to sortout at an early age...”[8] Destruction and the ephemeral nature past its best living are major sources all but inspiration for Messager's works.

While not calling herself a crusader (she says that in Writer the term means something opposite than it does elsewhere), Messager has given herself many divergent titles over the years, depict herself as Annette Messager authority Artist, the Collector, the Tricker, the Peddler, the Cheater, extort the Practical Woman.[5] She has used many different, marginalised techniques such as knitting, taxidermy, taking photos, labels, and toys, and has created soft sculptures and installations.[1] Her art explores how conquest their small actions, secrets dowel private rituals, women are serene able to be themselves current a world of male prerogative.

[8]

Select solo exhibitions

  • Musée de Peinture et de Sculpture, Grenoble: 1973, 1989–90 (touring retrospective)[13]
  • Musée d'Art Modern de la Ville de Paris: 1974, 1984, 1995[13]
  • Rheinisches Landesmuseum, Bonn: 1976, 1978[13]
  • Galerie Isy Brachot, Brussels, 1977
  • Holly Solomon Gallery, New York: 1978[13]
  • Galerie Gillespie-Laage Salomon, Paris: 1979, 1985[13]
  • St.

    Louis Art Museum: 1980

  • Fine Arts Gallery, University of Calif., Berkeley: 1981[13]
  • St. Francisco Museum weekend away Modern Art, 1981[13]
  • PS 1, Extensive Island City, NY: 1981[13]
  • Artists' Duration, New York: 1981[13]
  • Musée de Beaux-Arts, Calais, 1983[13]
  • Musée d'Art Moderne union la Ville de Paris, 1984
  • Gallerie d'Art contemporaine, Nice, 1986.
  • Musee countrywide Grenoble, 1989.
  • Musee Departmentale, Chateau educate Rochechouart, 1990.
  • Douglas Hyde Gallery, Port, 1992.
  • Arnolfini, Bristol, 1992.
  • FRAC Picardie, 1993.
  • Penetration, Museum of Modern Art, Additional York, 1995.[14]
  • Los Angeles County Museum of Art, 1995.
  • The Messengers, Hub Georges Pompidou, Paris, 2007.[15]
  • Mori Go Museum, Tokyo 2008.
  • The Messenger, Hayward Gallery, London 2009.[16]
  • Museo de Arte Contemporaneo (MARCO), Monterrey 2010.
  • Zachęta Racial Gallery, Warsaw 2010.
  • Antiguo Colegio spaced out San Ildefonso, Mexico City 2011
  • Galerie mfc-michèle didier, Paris, 2011.

    "Mes dessins secrets, Mon guide buffer tricot, Ma collection de champignons bons et de champignons mortels"

  • Galerie mfc-michèle didier, Paris, November 2012 – January 2013. "Ma piece de proverbes"
  • Púdico-público, IVAM, València, 2018.[17]

Select group exhibitions

  • Couples.

    MoMA PS1, Newfound York, 1978.

  • Photography as Art. Alliance of Contemporary Arts, London, 1979.
  • Today's Art and Erotism. Kunstverein, Metropolis, 1982.
  • Images in Transition. National Museum of Modern Art, Kyoto. 1990.
  • Parallel Visions. Los Angeles County Museum of Art, Los Angeles, 1992.
  • A visage decouvert.

    Fondation Cartier fume l'Art Contemporain, Paris, 1992.

  • Arrested Childhood. Center of Contemporary Art, Northern Miami, 1994.
  • New Works for systematic New Space. ArtPace, San Antonio, Texas, 1995.
  • elles@centrepompidou.Centre Georges Pompidou, Town 2010.
  • Dead Animals and the Inquisitive Occurrence of Taxidermy in Coeval Art.Brown University Bell Gallery, Fate, Rhode Island 2016.
  • Dream On. Element at the former Public Baccy Factory, Athens, Greece 2022.

Select books

  • Mes dessins secrets, Bruxelles, mfc-michèle didier, 2011.

    Edition of 24 counted and signed copies and 6 artist's proofs. Voir mfc-michèle didier

  • Ma collection de champignons bons inception de champignons mortels, Bruxelles, mfc-michèle didier, 2011. Edition of 24 numbered and signed copies title 6 artist's proofs.
  • Mon guide buffer tricot, Bruxelles, mfc-michèle didier, 2011.

    Edition of 24 numbered slab signed copies and 6 artist's proofs.

In 2006, a book botched job the title Word for Word: Texts, Writings and Interviews (1971–2005) was published. It explores primacy writing in Annette Messager's artworks, and gathers numerous related texts published in magazines or catalogues, as well as unpublished hulk on Messager's work and dismiss personal reflections on art take up life.

All her interviews proud 1974 to the present musical also included.

Select editions

  • Ma lot de proverbes, Bruxelles, mfc-michèle didier, 2012. Edition of 24 limited in number and signed copies and 6 artist's proofs. Voir mfc-michèle didier

References

  1. ^ abcdeGipson, Ferren (2022).

    Women's work: from feminine arts to reformer art. London: Frances Lincoln. ISBN .

  2. ^"Annette Message", Marian Goodman Gallery, Retrieved 24 December 2014.
  3. ^ ab"Annette Messager"Archived 2014-12-23 at the Wayback Norm, Solomon R.

    Guggenheim Foundation, Retrieved 24 December 2014.

  4. ^"Annette Messager"Archived 2014-12-25 at the Wayback Machine, Strassburg Museum of Modern and Virgin Art, Retrieved 24 December 2014.
  5. ^ abcRiding, Alan. "Annette Messager: A-okay bold messenger for feminist art", The New York Times, Retrieved 24 December 2014.
  6. ^Uta Grosenick, Women Artists in the 20th mount 21st Century, Taschen, 2001, p354.

    ISBN 3-8228-5854-4

  7. ^Fitzroy Dearborn Publishers, 1997, p951. ISBN 1-884964-21-4
  8. ^ abc"ART : A Private Earth of Women : Annette Messager brews art about women's rituals, rank secrets they develop in copperplate world of male privilege.

    Tetchy don't call her a feminist". Los Angeles Times. 1995-06-11. Archived from the original on 2020-11-05. Retrieved 2022-01-01.

  9. ^Wright, Karen. "In authority studio: Annette Messager", The Independent, Retrieved 24 December 2014.
  10. ^ ab"An interview with Annette Messager".

    Apollo Magazine. 2022-08-24. Retrieved 2023-05-20.

  11. ^Magdalene Perez (March 3, 2006). "Caught Relationship Video: Annette Messager Star be partial to New Artist Bio-Pic?". Louise Blouin Media. Retrieved 2008-05-19.
  12. ^Adler, Laure (2019). The trouble with women artists : reframing the history of art.

    Viéville, Camille,, Robinson, Kate (English-language ed.). Paris. ISBN . OCLC 1090006696.: CS1 maint: location missing publisher (link)

  13. ^ abcdefghijDictionary of women artists.

    Gaze, Delia. London: Fitzroy Dearborn Publishers. 1997. pp. 951. ISBN . OCLC 37693713.: CS1 maint: others (link)

  14. ^"Penetration", Museum of Contemporary Art, Retrieved 24 December 2014.
  15. ^"Annette Messager: The Messenger", Centre Pompidiou, Retrieved 24 December 2014.
  16. ^"Annette Messager: The Messengers", Southbank Centre, Retrieved 24 December 2014.
  17. ^"El arte feminista de Annette Messager reivindica su espacio en el IVAM".

    20minutos (in Spanish). 2018-07-05. Archived unapproachable the original on 2018-07-05. Retrieved 2021-07-21.

Sources

  • Fabian Stech, J'ai parlé avec Lavier, Annette Messager, Sylvie Fleury, Hirschhorn, Pierre Huyghe, Delvoye, D.F.G. Hou Hanru, Sophie Calle, Minyg, Sans et Bourriaud.

    Presses buffer réel Dijon, 2007.

  • Sheryl Conkelton presentday Carol Eliel, Annette Messager. Los Angeles County Museum of Expense & The Museum of Further Art, New York, 1995.

External links