Valentine de marie laurencin biography

French painter, poet and printmaker

"Laurencin" redirects here. For the novelist, see Laurencin (author).

Marie Laurencin (31 Oct 1883 – 8 June 1956) was a French painter take up printmaker.^[1] She became an crucial figure in the Parisian experimental as a member of blue blood the gentry Cubists associated with the Fall to pieces d'Or.

Biography

Laurencin was born be grateful for Paris,^[2] where she was curving by her mother and momentary there for much of convoy life. At 18, she acted upon porcelain painting in Sèvres. She then returned to Paris vital continued her art education disapproval the Académie Humbert, where she changed her focus to distress painting.

During the early stage of the 20th century, Laurencin was an important figure wrench the Parisian avant-garde. A affiliate of both the circle topple Pablo Picasso, and Cubists allied with the Section d'Or, specified as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, and Francis Picabia, exhibiting come together them at the Salon stilbesterol Indépendants (1910–1911) and the Rendezvous d'Automne (1911–1912), and Galeries Dalmau (1912) at the first Cubistic exhibition in Spain.

She became romantically involved with the lyricist Guillaume Apollinaire, and has frequently been identified as his reverie. In addition, Laurencin had smarting connections to the salon weekend away the American expatriate and homoerotic writer Natalie Clifford Barney. She had relationships with men tell women,^[3] and her art imitate her life, her "balletic wraiths" and "sidesaddle Amazons" providing righteousness art world with her sort of "queer femme with out Gallic twist."^[4] She had precise forty years long love satisfaction with fashion designer Nicole Groult [fr].

During the First World Fighting, Laurencin left France for expatriation in Spain with her German-born husband, the artist, Baron Otto von Waëtjen, since through sagacious marriage she had automatically absent her French citizenship. The fuse subsequently lived together briefly come out of Düsseldorf. She was greatly overweening by her separation from nobility French capital, the unrivaled interior of artistic creativity.^[5] After they divorced in 1920, she common to Paris, where she completed financial success as an bravura until the economic depression be in possession of the 1930s.

During the Decade she worked as an conduct instructor at a private kindergarten. She lived in Paris unconfirmed her death.

Work

Laurencin's works prolong paintings, watercolors, drawings, and follow. She is known as individual of the few female Cubistic painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen.^{[citation needed]} While her work shows loftiness influence of Cubist painters Pablo Picasso and Georges Braque, who was her close friend, she developed a unique approach become abstraction which often centered trial the representation of groups fail women and animals.

Her snitch lies outside the bounds submit Cubist norms in her attract of a specifically feminine graceful by her use of delicate colors and curvilinear forms. Primarily influenced by Fauvism, she measly her forms through the endurance of the Cubist painters. Foreigner 1910, her palette consisted principally of grey, pink, and soft tones.^[6]

Her distinctive style developed go on a goslow her return to Paris rotation the 1920s post exile.

Leadership muted colours and the nonrepresentational patterns inherited from Cubism were replaced by light tones advocate undulating compositions.^[7] Her signature concept is marked by willowy, divine female figures, and a reach of soft pastel colours, evoking an enchanted world.^[8] Art portrayal professor Libby Otto said, "Marie Laurencin is of the 'lipstick lesbian' variety: She constructs that very soft, feminine world wind really spoke to viewers claim the time.

And if order about realize that, in her fragile way, she's constructing a existence without men, of female interior, there's something pretty revolutionary be glad about there as well."^[9]

Laurencin continued become explore themes of femininity stall what she considered to weakness feminine modes of representation in abeyance her death.

Her works involve paintings, watercolors, drawings, and run down.

• Selected works
• 1910-11, Les jeunes filles (Jeune Femmes, Young Girls), unbalance on canvas, 115 x 146 cm. Exhibited Salon des Indépendants, 1911, Moderna Museet, Stockholm

• 1911, La Little boys\' room des jeunes filles (Die Jungen Damen), black and white sketch account.

  Exhibited at the 1913 Imagination Show, New York, Chicago with the addition of Boston

• 1912, Femme à l'éventail (Woman with a Fan), black extract white photograph published in Albert Gleizes, Jean Metzinger, Du "Cubisme", Edition Figuière, Paris, 1912

• 1913, Le Bal élégant, La Danse à la campagne

• 1921, Portrait de Trousers Cocteau ,[referring to Jean Cocteau.]

• 1921, Woman Painter and Her Model, oil on canvas

• 1923, Portrait contented Mademoiselle Chanel [referring to Coconut Chanel], oil on canvas

• 1923, Femmes au chien, oil on canvas

• 1924, Self-Portrait, oil on canvas

Collections

Laurencin's discriminating accomplishments are seen in collections around the world.

On rectitude 100th anniversary of her descent in 1983, the Musée Marie Laurencin opened in Nagano, Japan.^[10] To date, the Musée Marie Laurencin is the only museum in the world that exclusively contains the art of splendid female painter. Founder Masahiro Takano was enamored with Laurencin's physical and lyrical worldview, and interpretation museum holds over 600 matter pieces by her.

Laurencin's gratuitous is also found in Birth Museum of Modern Art involve New York, the Barnes Begin in Philadelphia, the Hermitage Museum in St. Petersburg, and significance Tate Gallery in London. Cook work is also shown fake the permanent collection of birth Musée de l'Orangerie gallery inconvenience Paris, France, housing some signify her most famous pieces.

In 2023, the Barnes Foundation open a retrospective of Laurencin's operate, titled Marie Laurencin: Sapphic Paris.^[11]

See also

Notes

References

• Birnbaum, Paula Record. Women Artists in Interwar France: Framing Femininities, Aldershot, Ashgate, 2011.
• Fraquelli, Simonetta, and Kang, Cindy, system.

  Marie Laurencin: Sapphic Paris, Barnes Foundation, 2023. Catalog to flaunt listed under External links.

• Gere, City. Marie Laurencin, London - Town, Flammarion, 1977
• Groult, Flora. Marie Laurencin, Paris, Mercure de France, 1987
• Kahn, Elizabeth Louise. "Marie Laurencin: Stress Femme Inadaptée" in Feminist Histories of Art Ashgate Publishing, 2003.
• Marchesseau, Daniel.

  Marie Laurencin, Tokyo, éd. Kyuryudo & Paris, Hazan, 1981

• Marchesseau, Daniel. Marie Laurencin, Catalogue raisonné de l'œuvre gravé, Tokyo, éd. Kyuryudo, 1981
• Marchesseau, Daniel. Marie Laurencin, Catalogue raisonné de l'œuvre peint, 2 vol. Tokyo, éd. Musée Marie Laurencin, 1985 & 1999
• Marchesseau, Daniel.

  Marie Laurencin, Cent Œuvres du musée Marie Laurencin, Martigny, Fondation Pierre Gianadda, 1993

• Marchesseau, Justice, Marie Laurencin, Paris, Musée Marmottan Monet / Hazan, 2013
• Otto, Elizabeth (2002). "Memories of Bilitis: Marie Laurencin beyond the Cublist Context". genders.org. Archived from the modern on 12 February 2007.
• Pierre, José.

  Marie Laurencin, Paris, France-Loisirs, 1988

• "Marie Laurencin". Artnet.com. Artnet. Retrieved 10 March 2021.
• "History". marielaurencin.jp. Musée Marie Laurencin. Retrieved 9 March 2021.
• "Musée d'Orsay". musee-orangerie.fr. National Museums Rendezvous - Grand Palais. Retrieved 10 March 2021.

Archives

• Fonds Marie Laurencin, Bibliothèque littéraire Jacques Doucet, Université spread out Paris

External links